jaime[alyse]green

my parents spelled all of my names weird
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Posts tagged nonfiction

May 11

On an MFA

I was very afraid, when I decided to get an MFA in creative writing, of what the internet would think. Or of what the internet thought, because what the internet thought, my reading had shown, was that MFAs are bullshit. That MFAs are a waste of money, that they are elitist, that they churn out generations of over-workshopped automota who expect success to arrive on a silver platter the day after graduation. 

I never really sat down and made the decision to go. I thought, “I might want to do that,” and then went to an info session and fell in love. I went to grad school because I wanted to become a better writer. I went to grad school because I was terrified of my thesis advisor in college, and wanted to recreate that sense of pressure. I went because a theatre friend of mine was getting his MFA, and I thought, “I’m a good writer, too. Maybe I should do that.” And then I did.

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Apr 14
“There is a sea slug scientifically named Doris. … There is the fearsome chaetognath, or arrowworm, which, seen under a microscope, I swear looks like a glass penis with teeth.” Alan Burdick gets pretty fucking delightful about sea invertebrates in Out of Eden.

Mar 27
“The notion that a work may be both literary and documentary—that is, rooted at once in the realms of art and actuality—capsizes a whole raft of tightly held ideas about prose writing and its relation to the imagination.” Adina Hoffman, “Imagining the Real,” Raritan volume 31, number 4.

Mar 21

The essay has a long and glorious history as a literary form, and is the intellectual bell-weather of any modern society. The genre is at a particularly interesting transitional moment, what with the emergence of the lyrical essay and other hybrid forms, the debate about the line between nonfiction and fiction, and the resurgence of the essay film, the digital essay and the radio essay. While considerable experimentation is going on at the moment, it should be noted that the essay has always been a daringly open, experimental form—from the French word “essai,” meaning, “attempt.” Unlike fiction and poetry, which have spawned systematized approaches to narratology and poetics, the essay continues to be an elusive eel in the literary waters, neglected by scholars. As one of the genre’s foremost experts, Carl H. Klaus, has written, “a methodology for understanding the essay is long overdue.” The one-day conference will attempt to contribute toward developing this methodology, as well as celebrating the varieties of this ubiquitous form.    

Come to this conference that I’m coordinating, April 6th at Columbia. This is going to be a really awesome, interesting day. I look forward to cultivating the brain-crush on Ned Stuckey-French that I discovered at AWP
More info and RSVP here.

The essay has a long and glorious history as a literary form, and is the intellectual bell-weather of any modern society. The genre is at a particularly interesting transitional moment, what with the emergence of the lyrical essay and other hybrid forms, the debate about the line between nonfiction and fiction, and the resurgence of the essay film, the digital essay and the radio essay. While considerable experimentation is going on at the moment, it should be noted that the essay has always been a daringly open, experimental form—from the French word “essai,” meaning, “attempt.” Unlike fiction and poetry, which have spawned systematized approaches to narratology and poetics, the essay continues to be an elusive eel in the literary waters, neglected by scholars. As one of the genre’s foremost experts, Carl H. Klaus, has written, “a methodology for understanding the essay is long overdue.” The one-day conference will attempt to contribute toward developing this methodology, as well as celebrating the varieties of this ubiquitous form.    

Come to this conference that I’m coordinating, April 6th at Columbia. This is going to be a really awesome, interesting day. I look forward to cultivating the brain-crush on Ned Stuckey-French that I discovered at AWP

More info and RSVP here.


Jan 31
columbiajournal:

The deadline for our contest is rapidly approaching. February 1! We want you read your best writing. We want you to win, so we can publish your work and give you $500.

Two days left!
(PS Issue 51 is being designed by the guy who designed the “write like a motherfucker” mugs. He’s done lots of other awesome things, Lucky Peach and The Believer and lots of gorgeous books, but I discovered this thing about the mugs in the middle of our staff meeting this week and reacted most unprofessionally.) 

columbiajournal:

The deadline for our contest is rapidly approaching. February 1! We want you read your best writing. We want you to win, so we can publish your work and give you $500.

Two days left!

(PS Issue 51 is being designed by the guy who designed the “write like a motherfucker” mugs. He’s done lots of other awesome things, Lucky Peach and The Believer and lots of gorgeous books, but I discovered this thing about the mugs in the middle of our staff meeting this week and reacted most unprofessionally.) 


Jan 23
columbiajournal:

Alright folks, it’s time! Our 2013 contest runs through February 1. Submit your very best fiction, nonfiction, and poetry. We can’t wait to read it.

The Columbia Journal writing contest ends SOON. Enter! Share this! Do both! (Ok that messes up your odds a tiny bit, but it’s really good karma.)

columbiajournal:

Alright folks, it’s time! Our 2013 contest runs through February 1. Submit your very best fiction, nonfiction, and poetry. We can’t wait to read it.

The Columbia Journal writing contest ends SOON. Enter! Share this! Do both! (Ok that messes up your odds a tiny bit, but it’s really good karma.)


Aug 20

Apr 23
Hey come to this! It will be hella legit.

Columbia: A Journal of Literature and Art celebrates the release of Issue 50! 
Join us the evening of May 1st for a night of readings given by past and present contributors including: Donald Antrim Seth Fried Robert Ostrom Kimberly Grey Scott Anderson  Alison Barker
May 1, 2012 7-10pm Pianos Bar NYC 158 Ludlow Street

Mad legit!

Hey come to this! It will be hella legit.

Columbia: A Journal of Literature and Art celebrates the release of Issue 50! 

Join us the evening of May 1st for a night of readings given by past and present contributors including:
Donald Antrim
Seth Fried
Robert Ostrom
Kimberly Grey
Scott Anderson 
Alison Barker

May 1, 2012 7-10pm
Pianos Bar NYC
158 Ludlow Street

Mad legit!


Feb 2

Also

This excerpt is solidifying the idea that I’m losing one of my heroes. We were already on the way - I just did not love About a Mountain - but this jerky, shitty attitude is a different thing. So is a complete disregard for the definition of nonfiction. Challenging that in a formal, strategic way is one thing; acting all lol facts are for babies is another.

Changing small facts doesn’t hurt anyone, sure. But it betrays the reader’s confidence, breaks the contract you, the writer, make with them by calling your work nonfiction. I’m still curious to read the whole book, but even more warily so.

Don’t change facts in nonfiction. And don’t be mean to interns. 


Jul 1
“People don’t expect too much from literature. They just want to know they’re not alone with being confused.”

Jonathan Ames  via Book Mania! (via rachelfershleiser)

This definitely applies to a certain kind of (and experience of reading) fiction, but I’m not sure how to apply it to the sort of nonfiction books I love. Maybe replace confused with “interested.”

(via rachelfershleiser)